2/7/2024 0 Comments Clarinet quartet repertoireThis problem is amplified by four when you’re recording with a quartet. You have to be really careful to balance the desire to showcase the best version of yourself with making sure you’re still capturing the essence of the music, and that your performance feels exciting and fresh. The idea of having unlimited takes ends up limiting you in a way, because it becomes easy to get trapped in the pursuit of perfection. ![]() It’s incredibly necessary to have a third party who is both critical and objective to keep you honest when you’re recording.ĮRIN: Recording an album with a group of people is much different than live performance, or even just recording yourself. He sat in on every recording session as an extra set of ears to catch any intonation, tempo, musicality or other general mistakes we might miss. ![]() His space was great and he was so accommodating and helpful! We were also very fortunate to have Dan Linsenmann serve as our “tonemeister”. We’re really happy we found and worked with Aaron Gottl at Atlas Arts Media. LECQ: We had a couple bumps in the road in terms of recording location and people. What was the recording process like? What are some challenges you faced? They also add a nice contrast in style to Nielsen and Grainger. The clarinet is especially well-suited for this, as it is incredibly versatile in sound variety, dynamic range, note range, and ways we can articulate. This can be a bit of a challenge, since the variety sometimes happens by using alternate instrumentation, but ultimately works very well for 4 alike instruments, as you can do so many different things with articulation, tempo, range, timbre, etc. The appeal of playing music by Grainger is his ability to expand on a simple theme, repeat it over and over, and yet still keep finding new ways of saying it. 44) was both very interesting musically, and also had the necessary space to allow for rest and being able to divide up parts equally. Though string quartets don’t always make the best arrangements for woodwind instruments (breathing can be a struggle…), this particular quartet by Nielsen (No. These pieces felt like the right way to introduce Lake Effect to the world of recorded music.ĮRIN: Nielsen and Grainger have written well for our instrument in other ways, so I knew they would have good material to translate into the clarinet voice. After a few failed attempts to get the album off the ground, we reassessed what we actually wanted to present to the world and realized that music by Nielsen, Grainger, and Strauss was not only music we loved, but also music that naturally suited the clarinet’s voice. ![]() Our original album concept was more of a potpourri of music we liked and had been working on for a while. LECQ: Well, the album we released is actually different than the one we first envisioned. How did you decide on the repertoire to play? The clinics they conduct cover a broad spectrum of topics and, based on your input, can be customized to fit the needs of your students. These highly trained professional educators and performers will engage your students through educational and fun sessions. The goal for the Vandoren Artist-Clinicians program is to enhance the quality of the music experience through education and the assistance of Vandoren. It is the philosophy of Vandoren to stay close the musicians for new product design, repertoire development, and other contributions to their art. Vandoren Artists can be heard with world-class orchestras and chamber groups, in jazz clubs and theaters, on award winning recordings, or found at universities educating the next wave of promising musicians. The Vandoren Artist family is comprised of some of the finest woodwind performers and educators from around the world.
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